Cover III

I found that the carrier materials I usually use is various types of paper, and the watercolours I used always immerse in it, unlike oil painting materials that often stop on canvas with modelling paste. In this way, the different depths of colour getting into the paper of my work seem to create a kind of "space ". Plus the last glossy paint, the length of viewing time or different angles will show the viewers a change of picture, which seems to create a" time" for the work itself. And the possibility of changing time and space is precisely related to the “uncertainty” in painting that I was interested in.